This is like degrading John Wick in order to argue The Matrix is better, but we must criticize what we love in order to prove a point. It combined the themes of his previous albums and was debatably his strongest album lyrically, but the pieces didn't fit as well together comparatively. But it wasn't his best work as a storyteller or as an artist. The fact that it's still better than many a rapper's full albums speaks to his skill, but it can't hold a legitimate claim to being the best album he's put out.ĭAMN was great. Untitled is basically a collection of loosies. It has some of my favorite Kendrick songs ('Ronald Reagan Era' and 'Poe Man's Dreams' still make regular appearances in the rotation), but there are few too many short songs that could serve as interludes if you didn't know any better. Section 80 was the first glimpse we had of Kendrick's true potential, and the true predecessor to GKMC. It's the same with Section 80 and Untitled. No one will argue it's his best piece of work, even if it is the favorite of some individuals. Overly Dedicated is great, but it was his first album and wasn't nearly as polished or cohesive. I will start by addressing arguments for his other albums, and then heap praise upon the best rap album of the decade, and hands down one of the best of all-time. good kid, m.A.A.d city is absolutely his best album. Now, on to the meat of this here article.

But, right this very second, nobody can match K-Dot. I concede a very good argument can be made for Jay-Z given his extensive body of work spanning several decades, and even for Kanye West if you ignore the last four years of terrible music and horrendous public statements. Let's get that out of the way before we dig into the nitty-gritty.

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